Tag: Experiential Marketing

How Netflix Uses Generative AI to Design a Personalized “Billboard” for Every User

How Netflix Uses Generative AI to Design a Personalized “Billboard” for Every User

For the past 15 years, my world in the IT industry has been defined by a single, critical objective: Quality Assurance. Day in and day out, I looked at software frameworks through the lens of bug-tracking and system optimization—the exact engineering challenges that tech giants like Netflix tackle at scale.

Recently, my perspective underwent a massive paradigm shift. I stepped into the world of advanced AI, pursuing my M.Tech in AI and ML (specializing in Audio & Vision) at BITS Pilani WILP. As I transition my career toward engineering Machine Learning systems, I’ve stopped looking at digital products as just code to be tested. I now see them as vast, real-time optimization engines. Nowhere is this optimization more evident than at Netflix.

This shift is exactly why a recent technical paper from the streaming giant caught my eye. They threw away their traditional engineering pipeline for a system called GenPage.

The Dynamic Billboard Analogy

Imagine walking down a busy street where a massive movie billboard hangs above the crowd. Now, imagine that billboard morphing in real-time. As a horror fan walks past, the poster displays a dark, unsettling psychological thriller. A split-second later, as a family approaches, it smoothly shifts into a vibrant, animated comedy.

In the physical world, this is a sci-fi fantasy. In the digital universe of streaming, it is Netflix’s everyday reality.

Moving Beyond the Algorithmic Assembly Line

For over a decade, streaming platforms have marketed content using a fragmented, multi-stage assembly line. One program gathered a raw list of movies. Another sorted them using a basic ranking score. Finally, a layer of business rules filtered them for regional restrictions.

But in a groundbreaking post on the Netflix tech Blog, the streaming giant revealed GenPage. This marks the moment they threw away the traditional recommendation pipeline.. Instead of sorting lists, Netflix now treats your homepage like a blank magazine canvas. It uses a single, end-to-end generative AI model to write a cohesive visual narrative just for you.

To be precise, it isn’t generating new raw pixels or artwork; it is autoregressively generating the structural sequence of UI tokens—the precise layout of rows and title selections—treating slate construction as a sequential text generation problem.

Here is how Netflix is using generative AI to rethink digital product distribution, and the profound marketing lessons hidden inside their neural networks.

1. Deconstructing the “Billboard Prompt”

In traditional advertising, media real estate is static. Brands buy a billboard slot and pray that their target demographic drives past it. Netflix turned your TV screen into a dynamic billboard powered by a “Prompt”.

Just like an LLM (such as ChatGPT) takes a sentence prompt and outputs text, GenPage takes everything it knows about your current state and outputs a beautifully structured sequence of rows and movie tiles. The AI builds this billboard prompt using three distinct signals:

  • Your Micro-Actions: It doesn’t just look at what you finished watching. It captures implicit attention markers—when you paused to look at a thumbnail, clicked “More Info,” or watched a 30-second trailer.
  • The Environmental Context: What time of day is it? What device are you on? (A user scrolling on an iPhone during a cramped morning commute wants entirely different “billboard text” than someone settling in on a Friday night in front of a 4K Smart TV).
  • The Stopping Power: The AI explicitly calculates your friction points—specifically tracking rows like Continue Watching, which heavily capture user attention and limit how far down the page you will scroll.

2. The Bottleneck: How the Streaming Giant Proved Data Beats Model Size

In the tech world, there is a prevailing myth: Bigger is always better. If your AI isn’t performing well, just buy more expensive chips and make the model’s “brain” larger.

When building GenPage, Netflix tested this exact hypothesis. They scaled their AI model from a modest 120 million parameters to a massive 900 million parameters—making its processing capacity 7.5 times larger.

The result? A measly 1.3% improvement in layout accuracy.

However, when they kept the model small and nimble but simply fed it richer, more granular user context (better consumer insights), accuracy shot up by 6.9%! Giving the AI better immediate clues about the user was over five times more effective than building a bigger brain.

The Marketing Insight: This is a masterclass in market research. If you do not truly understand your consumer’s immediate, real-time intent, having the highest budget, the flashiest technology, or the biggest platform won’t save your campaign. Deep context beats raw scale every single time.

3. Marketing the Unknown: How Netflix AI Fuses Creative DNA

One of the hardest challenges in entertainment marketing is the “Cold Start”. How do you successfully market a brand-new movie or game that has zero viewing history, zero reviews, and zero user data?

GenPage solves this by implementing something called Semantic Embedding Fusion.

When a brand-new title drops, its historical user data is completely blank. To bridge this gap, GenPage bypasses user history entirely and plugs straight into the creative DNA of the project. It extracts textual metadata (the synopsis, cast list, and genre) alongside raw video signals and blends them directly into the AI’s matching lookup table.

To make sure the system actually learns how to do this, Netflix uses a brilliant training trick: they temporarily hide the identity of a famous, highly successful movie and force the AI to place it on user homepages relying entirely on its text synopsis and creative traits.

This forces the technology to become a master of intuitive positioning, ensuring that a niche indie film or an unreleased mobile game find its exact target audience on night one.

4. Accidental Variety: The Netflix Engine vs. The Myopic Marketer

Standard recommendation algorithms are shortsighted. They see that you watched a horror movie last night. Consequently, they spam your screen with twenty identical horror movies. This continues until you experience choice paralysis and exit the app.

GenPage avoids this “myopic” pitfall by using Reinforcement Learning to optimize the entire page canvas at once. It doesn’t ask, “Is this one movie good?” It asks, “How does this entire combination of rows and titles look when presented as a single experience?”

During testing, something fascinating happened: the engineers never explicitly ordered the AI to make the homepage diverse. They only instructed it to maximize long-term user satisfaction.

Yet, as the AI practiced on real-world data, it automatically started introducing genre variety and layout diversity. The AI independently discovered a fundamental rule of media marketing: monotony breeds consumer fatigue. By treating the homepage like a balanced, multi-course meal, content diversity naturally emerged as the winning strategy to keep the audience hooked.

The Business Metrics Driving Netflix’s Core Strategy

Generative AI is historically notorious for being slow, laggy, and computationally expensive—traits that are fatal for a real-time digital billboard.

Yet, when Netflix launched GenPage in live A/B tests against their highly optimized production stack, it achieved a dual victory:

  1. Higher Engagement: It drove a statistically certain +0.24% increase in user streaming watch-time.
  2. Blazing Speed: Netflix replaced its fragmented, legacy machine learning systems with one elegant Transformer. Because of this, homepage loading speeds improved by 20%.

In the hyper-competitive attention economy, a digital billboard must be instantly relevant. Loading 20% faster is an impressive engineering achievement. More importantly, it is the ultimate weapon for customer retention. Netflix has proved that the line between an AI engine and an experiential marketer is officially beginning to blur.

My Next Automation Loop

Looking back at my 15-year career in QA, I see a beautiful parallel here. In testing, we always aimed to build end-to-end automated frameworks to ensure a flawless user journey. Recommender architectures like GenPage are doing the exact same thing, but natively within the product to maximize engagement.

This fascinating convergence of media, optimization, and advanced engineering is exactly where I am steering my career. Beyond my current M.Tech journey, my goal is to dive deeper into applied research via a Ph.D. program. I want to spend the next few years investigating how complex machine learning models can fundamentally revolutionize how we consume, recommend, and interact with digital media.

I am actively connecting with researchers, practitioners, and fellow students working at the intersection of media engineering and AI. If you are working on similar architectures or academic research, let’s connect!

References & Further Reading:

Read the full technical paper on arXiv: GenPage: Towards End-to-End Generative Homepage Construction at Netflix

4 Experiential Marketing Tactics of popular films that you’ll want to know

4 Experiential Marketing Tactics of popular films that you’ll want to know

Untitled collage
4 Experiential Marketing Tactics of popular films that you’ll want to know

To take a product or service to the customer, there are several types in Marketing. In which, there is one type that is gaining prominence of late. The type is none other than Experiential Marketing.

Experiential Marketing goes by this simple theory:

Find your target audience. Know what they expect from you. Create an experience around their expectation. Make them feel touched by your approach.

When you do all the above, you earn not alone customers but their loyalty too.

This has been the beauty of Experiential Marketing.

Always, you could spot interesting instances of Experiential Marketing in various industries. Film Industry is no exception. In my previous article, I shared my views on a couple of movie marketing campaigns that excited me. Today, I present another four tactics implemented for popular films by their producers.

Interactive chatbot by ‘Red Chillies Entertainment’ (RCE) for ‘Ittefaq’ and ‘Raees’:

There is one aspect that has become an integral part in the movie marketing of RCE. It is none other than its Facebook Messenger chatbot.

For example, consider that RCE has come up with content for its upcoming movie. Here, the content refers to a movie poster, teaser, trailer, video song or a promotional video. To take such content to its audience, the chatbot begins chatting with the person who has subscribed to it. The important aspect to note here is that the chat continues only when the person wishes to. If the person responds in a positive manner then the chatbot builds a lively interaction. In the course of the conversation, the bot shares the contents.

Ittefaq collage
A collage featuring Akshaye Khanna, Sonakshi Sinha and Sidharth Malhotra from ‘Ittefaq

For RCE‘s latest movie, ‘Ittefaq’, the chatbot started a chat by posing as ‘Inspector Dev’. ‘Inspector Dev‘ (played by Akshaye Khanna) is one among the main characters in ‘Ittefaq’. This was as in the manner in which the chatbot triggered a conversation by posing as ‘Harry’ for ‘Jab Harry Met Sejal’. In the course of the chat, the bot shared contents like posters, trailer and video song of the movie. Also shared in the chat was a promotional video titled, ‘An interrogation with Karan Johar‘.

Besides these contents, there were a couple of scenarios shared, for the audience to solve. At regular intervals, the chatbot presented the scenarios. Wherein, both the scenarios got based around the genre of the movie i.e. Mystery Thriller.

On the day before the movie’s release day, a short chat reminded to contain SPOILERS related to the movie. On the release day, the chatbot shared the movie’s ticket booking link.

User engagement by the chatbot doesn’t end with the above activities. It also recalls some moments from RCE‘s previous movies. And, it intertwines such moments with special days.

For last year’s Children Day, the chatbot conducted a quiz. In the quiz, few occasions from RCE’s movies accompanied the questions. GIF and JPEG images represented such occasions. Questions were on tapping the inner child that exists within every grown-up. The quiz, as a whole, appeared pleasing.

Raees
A still featuring Shah Rukh Khan from ‘Raees

Later, the chatbot carried out a quiz marking a year since the release of the 2017 Shah Rukh Khan starrer ‘Raees’. The quiz included some trivial questions about the movie. This quiz to ‘measure’ one’s RQ i.e. Raees Quotient sounded pretty unique and catchy!


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Creepy ‘Insidious‘ mazes in ‘Halloween Horror Nights’ at ‘Universal Studios Hollywood’:

Insidious maze
A still featuring Lin Shaye, Angus Sampson and Leigh Whannell in the Insidious maze

The 2013 ‘Halloween Horror Nights’ featured the maze attraction, ‘Insidious: Into the Further’. The maze was based on the purgatory realm, ‘The Further’ that appears in the ‘Insidious‘ movies. Via this event, the audience got an opportunity to explore the ‘dark world’. They experienced the disquieting atmosphere that they had watched in the ‘Insidious’ movies. Few people of the event were in the guise of the frightening characters of the ‘Insidious’ movies. They scared the hell out of visitors. This made the ambience become even more eerier. This experience that was set as a lead-up to the theatrical release of ‘Insidious Chapter 2’ was a runaway hit.

The maze adventure opened again for the public in 2015 as ‘Insidious: Return to the Further’ and in 2017 as ‘Insidious: Beyond the Further‘. On both the occasions as well the mazes received a positive response from the fans of the franchise.

Into The Further A 4D Experience’ mobile tour for ‘Insidious Chapter 3’:

Into the Further A 4D Experience
Model house designed for the tour

Before the theatrical release of ‘Insidious Chapter 3’, its producers organized a tour. As part of the tour, they designed a model house with dark interiors. The interiors did resemble the inner part of the houses that appear in the ‘Insidious’ movies. The model house took on tour to various cities for audience visit. The cities include Chicago, Philadelphia, Los Angeles, San Francisco, Dallas and New York. Entry into the model house was free for the audience. Audience who had visited the house felt engaged with some genuine scares. Later, using an Oculus Rift Virtual Reality headset, they experienced a horror segment. The clip, utilized in the segment, featured Dr. Elise Rainier who guided the viewer into the ‘Further’.

Click here to watch the audience’s experiences!

Later, the producers released the video of ‘Into The Further A 4D Experience in online. Like the response to the maze attractions, audience had rendered thumbs up to this campaign as well.

360 degree’ videos and an interactive chatbot by ‘Sri Thenandal Films’ (TSL) for ‘Mersal’:

A still from Mersal featuring Vijay
A still featuring Vijay from ‘Mersal

Like RCE, TSL too had introduced interactive chatbots for their 100th production, ‘Mersal’. In one of my articles, I had briefed the creation of customized ‘Mersal‘ posters using the chatbot. Post which, TSL had extended the utility of the bot further. The chatbot had conducted a quiz titled, ‘Mersal Match Meter’. Later, it also carried out a quick chat to make people share their feedback about the movie and rate the same. Like RCE, TSL’s chatbot also shared a ticket booking link for the movie. The entire interactive chatbot episode of TSL was quite unique and engaging!

Besides launching an interactive chatbot, TSL released a couple of ‘360 degree‘ videos. TSL teamed up with ‘Karpita‘ to render and unveil the videos. One video presented the speech of the Tamil Film Star Vijay in the ‘Mersal‘ audio launch function. Whereas, the other featured the live in concert of the legendary musician A.R.Rahman in the same function.

The efforts of TSL had appealed well to the die-hard fans of both the Tamil cinema stars.

Conclusion:

Above examples are among the finest of Experiential Marketing campaigns in Film Industry. Because, the movies not only grabbed audience’s attention but also obtained their loyalty.

Application of the theory mentioned in this article seems evident in the tactics.

So, here I end my article. Hope you find the scenarios jotted down in this article to be informative. Please let me know your opinion about the write-up in the comments section!

Experiential Marketing Campaigns: Warner Bros. Pictures’s ‘IT’ vs 24AM STUDIOS’s ‘Velaikkaran’

Experiential Marketing Campaigns: Warner Bros. Pictures’s ‘IT’ vs 24AM STUDIOS’s ‘Velaikkaran’

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Experiential Marketing Campaigns: Warner Bros. Pictures’s ‘IT’ vs 24AM STUDIOS’s ‘Velaikkaran’

It’s been a while since I had written my last post in this blog. In fact, for a period of time, I wasn’t in touch with the changes that have been happening in the marketing sphere. A few days ago, when I had plunged again into one of my favorite parallel world (i.e. Marketing) to know the latest updates, I felt excited on knowing about a couple of movie marketing campaigns. One campaign being the ‘Neibolt House’ visit for public in Los Angeles, for the 2017 American supernatural horror flick, ‘IT’. Another being, the ‘Cooliekkara kuppam’ set visit for public in Chennai, for the 2017 Tamil social thriller movie, ‘Velaikkaran’. However, both the strategies could well be tagged to one topic i.e. Experiential Marketing.

Warner Bros. Pictures’s ‘Neibolt House’ visit for ‘IT’:

Warner Bros. Pictures’ in association with the out-of-home agency, ‘Grandesign’ created the ‘Neibolt House’ (inspired by a haunted house that appears in the movie, ‘IT’) in the corner of Hollywood Blvd and Vine St. in Los Angeles. The house was opened for public daily, from August 14th, 2017 – September 10th, 2017 from 11am – 11pm. The public visit was scheduled well ahead of the movie’s theatrical release as the film premiered on September 5th, 2017. The haunted house visit seemed thoroughly immersive.

Warner Bros. Pictures’s ‘Neibolt House’ visit for ‘IT’
Neibolt House’ located in the corner of Hollywood Blvd and Vine St. in Los Angeles

Slum Set’ visit for ‘Velaikkaran’:

Following their captivating Content Marketing campaign for ‘Remo, ‘24AM STUDIOS’ have come up with the appealing ‘Cooliekkara kuppam’ set for ‘Velaikkaran’. The set was designed and erected by the movie’s art director T Muthuraj and team for the film. The set, located inside Prasad Labs at Vadapalani in Chennai, has been opened for public from December 30th, 2017 to January 20th, 2018 from 9am – 5pm. The public visit was scheduled after the theatrical release of ‘Velaikkaran’ as the movie released on December 22nd, 2017.

Slum Set’ visit for ‘Velaikkaran’
Cooliekkara kuppam’ set located inside Prasad Labs at Vadapalani in Chennai


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Campaigns offering opportunities for their target audience to experience their respective brands:

In both the campaigns, audiences were offered with opportunities to physically experience the demonstrations that were put up by the brands.

Branded hashtags, such as ‘#ThatsWhereITLives’ for ‘IT’ and ‘#VelaikkaranSetVisit’ for ‘Velaikkaran’, were created by the organizers and marketed in their respective social media posts prior to the visits and also were advertised in the sets.

Hashtag in tweet - IT Movie
#ThatsWhereITLives’ hashtag in the tweet from the official Twitter page of ‘IT Movie

Velaikkaran Set Visit hashtag
#VelaikkaranSetVisit’ hashtag incorporated to the image, posted in social media by ‘24AM STUDIOS’

Reminding attendees of the hashtag at the event had made it easier for them to share their experiences on social media.

Picture1
Reminding visitors of the hashtag, ‘#ThatsWhereITLives‘ at ‘Neibolt House‘ in Los Angeles

Velaikkaran Set Visit hashtag 2
Reminding attendees of the hashtag, ‘#VelaikkaranSetVisit‘ in the ‘VELAIKKARAN – SIGNATURE WALL‘ at ‘Cooliekkara Kuppam‘ set in Chennai

Via these hashtags, the organizers have engaged (such as Retweets and Likes in ‘Twitter’ and Shares in ‘Facebook’) well with their audience.

The slum set visit was made live in Facebook and Twitter in order to engage the people who couldn’t attend. As a follow-up to the ‘live’ activities, few of the attendees were allowed to talk about the sets. These were captured as videos and were shared in social media. As the brands connected well with the audience, prior to the set visit, in social media, there were deeper engagements at the event.

Click the link to know on what the audience has got to say about their ‘Neibolt House‘ set visit!

Even few from among the cast and crew of both the movies paid a visit to the respective sets. Photos and videos of the same were shared in social media.

Cast and crew visit - 'IT'
IT‘ Director Andrés Muschietti with the cast at ‘Neibolt House‘ in Los Angeles

Cast and crew visit - 'Velaikkaran'
Velaikkaran‘ star Sivakarthikeyan with a fan at ‘Cooliekkara Kuppam‘ set in Chennai

Click the link to view the visit of few from among the cast and crew of ‘Velaikkaran‘ to the set!

Providing online platforms and encouraging the audiences to go through an immersive experience:

In addition to offering an opportunity to experience the sets in a tangible, offline way, ‘Warner Bros. Pictures’ and ‘24AM STUDIOS’ have also provided online platforms to the audience to go through an immersive experience of their products via the marketing tools, VR (Virtual Reality) and 360° videos respectively. ‘Warner Bros. Pictures’ has released a video titled, ‘IT: FLOAT – A Cinematic VR Experience’ and ‘24AM STUDIOS’ has released a video titled, ‘Velaikkaran Set Making 360° Video’ in their respective official YouTube channels. In the former video, one gets to experience the world of Pennywise the Dancing Clown. Whereas, in the latter, the viewer can avail the opportunity to visit the ‘Cooliekkara Kuppam’ set virtually and at the same time, listen to art director T Muthuraj sharing his moments that had transpired during the time of set’s design and construction.

Click here to watch the video, ‘IT: FLOAT – A Cinematic VR Experience’ and here to watch the ‘Velaikkaran Set Making 360° Video’!

A cursory view at the experiential tactics of both the organizers exhibits the manner in which they have effectively leveraged both the online and offline spaces for the purpose of marketing. Apart from people obtaining awareness about the uniqueness of these brands and the box office prospects of the movies getting boosted, these campaigns have rendered memorable moments for the audience to cherish.

So, that’s it with my blog post about the Experiential Marketing Campaigns of ‘Warner Bros. Pictures’ and ‘24AM STUDIOS’ for ‘IT’ and ‘Velaikkaran’ respectively. Now, let me know your viewpoints about my article in the comments section!