Tag: Digital Marketing

Inside ‘Amaran’s’ Marketing: How Audiences Embranced the Movie

Inside ‘Amaran’s’ Marketing: How Audiences Embranced the Movie

I watched ‘Amaran’ at PVR Sathyam in Royapettah during its second weekend after release, and the theatre was completely packed. When the movie’s title sequence began, there was heartfelt applause upon seeing Major Mukund Varadarajan’s photo displayed alongside some text. At that moment, I felt that the audience’s reaction reflected all the buzz and positive reviews the film had been receiving since its release. Upon deliberating about the buzz and response later, I also felt that the marketing strategy for the movie by Raaj Kamal Films International (RKFI), Sony Pictures Films India and Turmeric Media had a big hand in generating such an enthusiastic response.

You know, Tamil Cinema doesn’t serve up biopics often. And when we do get one, the marketing usually focuses on all the behind-the-scenes stuff instead of the actual story being told. Take ‘Soorarai Pottru’ for example. It’s about Captain GR Gopinath, the person who started Air Deccan, a budget airline aimed at appealing to middle-class travellers. The movie is an inspirational and emotional drama, but I don’t remember its pre-release marketing materials emphasizing it enough. A couple of strategies were touching it upon albeit in a way the core idea being diluted. One was when 100 underprivileged kids were taken along with Suriya aboard a Spicejet Boeing 737 aircraft to launch the movie’s song, ‘Veyyon Silli’. Another strategy was a guerrilla marketing stunt, wherein a board featuring the autographs of thousands of Suriya’s fans for ‘Soorarai Pottru’ was fastened to an unmanned high-altitude balloon that seemed to have flown 35 km above the earth. Both attracted attention but did not emotionally make one connect with the movie’s core idea. I consider these strategies to have diluted the movie’s core idea because they put the movie’s lead star at the front instead of emphasizing the experience / the emotion that the movie will offer.

Now, coming back to Amaran. Tamil audiences embraced the movie like never before in recent memory. The emotional bonding started, grew well, and was firmly established mainly because of how the movie was positioned and marketed.

Setting expectations for the film featuring Sivakarthikeyan in the lead role:

When a Sivakarthikeyan movie is announced, audiences typically expect a blend of drama with plenty of fun and entertainment. The producers of ‘Amaran’ had made their intentions clear regarding the type of film they were creating with Sivakarthikeyan. This clarity has been evident in their marketing campaign so far.

 The marketing campaign for the movie officially began with the announcement of ‘Netflix Pandigai 2024’. On January 17, during the Pongal 2024 celebrations, Netflix India revealed its line-up of nine films that will be part of the streaming platform’s licensed content for the year. Among these films is Amaran’, which was initially announced under the working title ‘SK21’.

The above post’s copy used words like “battle”, which captures the movie’s essence. This approach of selecting precise language to reflect what the movie offers has been consistent throughout all marketing content so far.

 As a follow-up, a month later, on the eve of Sivakarthikeyan’s birthday, February 17th, the movie was titled ‘Amaran’, and its first look, showcasing Sivakarthikeyan’s muscular appearance, was released.

The beefed-up look was captivating at the time, as Sivakarthikeyan had never appeared in such a way before. Until then, unofficial content showcasing his unprecedented demeanour had been circulating online.

 On the same date, Sivakarthikeyan announced on social media that he would be portraying the character Major Mukund Varadarajan in the film ‘Amaran’. This marked the first official announcement regarding his role in the movie.

Apart from his demeanour, information about his role in Amaran was also circulating online. The above post of Sivakarthikeyan confirmed the same.

Fans of actor Vijay began sharing a photo of Vijay and Major Mukund Varadarajan’s daughter that had been posted on social media around 2014.  

 On the very next day, which was also Sivakarthikeyan’s birthday, RKFI revealed a poster featuring the actor in an Indian Army outfit.

In this way, RKFI utilized the early stages of the pre-release marketing phase of ‘Amaran’ to communicate to the audience what type of Sivakarthikeyan film this would be.

On the occasion of Major Mukund Varadarajan’s 10th year of remembrance…

 On the 10th anniversary of Major Mukund’s remembrance, which falls on April 25th, RKFI released a video titled ‘Saluting Major Mukund’. This video would have introduced him to new audiences while also helping others remember his legacy. It was a clever move by the team to incorporate the Indian cricket team’s 1983 World Cup victory as part of the video’s narrative.

Many prominent actors in Tamil cinema, who have substantial fan followings, often overlook the importance of announcing theatrical release dates well in advance. Even when they do announce these dates, they frequently fail to adhere to them. In contrast, RKFI demonstrated promptness with its planning for Sivakarthikeyan’s ‘Amaran’.

On July 17, 2024, RKFI announced that the theatrical release date of ‘Amaran’ is October 31, 2024, which coincides with Deepavali.

Content to market the fantastic and immersive action set pieces:

‘Amaran’ features fantastic and immersive action set pieces. After watching the movie, I understand why the creators released intriguing content for it. I find that the content serves as glimpses into the action sequences.

Here’s one such video…

After you watch the video, you can get to know Vishwaroopam’s soundtrack, ‘Anu Vidhaitha Boomiyile’ being used, and the context for its usage. ‘Vishwaroopam’ was also produced by RKFI. So, you understand the liberty in the song’s usage.

The video was re-shared on Independence Day i.e., August 15 along with a brand-new poster. Below is the post…

Coming back with content for the lead star…

 A post from RKFI on 11th September showcased Sivakarthikeyan dubbing for a key segment of the movie that precedes an adrenaline-pumping sequence leading to the interval.

A promotional piece that provides a glimpse into the heart of ‘Amaran’:

On 27th September, an important piece of marketing content was released by the filmmakers—a video titled ‘Heart of Amaran’. This marked a significant turning point in the movie’s pre-release marketing phase, generating much more interest in the film. The video introduces the character ‘Indhu Rebecca Verghese’, played by Sai Pallavi in ‘Amaran’. I can’t recall the last time I encountered such a soothing promotional clip. It carried the promise of a much higher quality product within Sivakarthikeyan’s filmography. Sai Pallavi’s screen presence was captivating, and I hoped her role would be substantial. Having watched the movie now, I can say I am not disappointed.

The score was an instant hit and was released on Spotify on 30th September 2024.

It’s time for some spectacular events…

It has been a while since Tamil Cinema has seen spectacular events beyond the usual audio launches, meet-and-greet sessions, and success celebrations. The film ‘Amaran’ also held an audio launch, but its marketing campaign also featured an additional event titled ‘Amaran – An Introduction’. The team covered the event by producing bite-sized and succinct videos. They initially released each episode regularly by uploading them to the RKFI’s YouTube channel and sharing them on other social media platforms. Once they rolled out all the parts, they uploaded the complete episode to the channel.

This event marked one of the few marketing occasions for the movie in which Kamal Haasan participated. Additionally, it was the event where Indhu Rebecca Verghese officially joined the pre-release marketing phase of the film. Inviting her to participate in the event and involving her in the interactions was a brilliant move by RKFI. She was also a featured guest in the eight-part video series titled ‘Evolution of Amaran’, as well as at the star-studded audio launch held at Sairam Engineering College on 18th October 2024. The RKFI YouTube channel regularly uploaded the episodes of ‘Evolution of Amaran’, just like the videos from ‘Amaran – An Introduction’, and shared them on social media.

There was also a video that offered a glimpse into the lives of soldiers stationed at the border.

Consolidating the acknowledgements to a wide range of high-profile appreciations…

RKFI has been consolidating the numerous high-profile accolades it has received on its social media handle. Below is an account of the same:

Before its theatrical release, the movie was specially screened for Indian Army personnel and their families.

The Officer’s Training Academy honoured Sivakarthikeyan for his role as Major Mukund Varadarajan in ‘Amaran’.

The movie was screened at Air Force Station, Chennai.

The core theme of ‘Amaran’ resonates deeply across India, and its execution stays true to this theme. So, politicians from various parties in Tamil Nadu took time to watch and appreciate the film.

It all began when the movie was watched by Tamil Nadu Chief Minister Stalin and Deputy Chief Minister Udhayanidhi Stalin on the day before its theatrical release, 30th October 2024.

The team behind the movie ‘Amaran’ met with India’s Defence Minister, Rajnath Singh, to receive his congratulations.

The list of politicians who also had watched and appreciated the team in person include, K. Selvaperunthagai (MLA and President of Tamil Nadu Congress party) and Seeman (Politician, actor, and former filmmaker).

 RKFI was proud to announce that the people from army families from in and around Rajapalayam in Tamil Nadu’s Virudhanagar district and Ranuvapettai, a village from Tamil Nadu’s Vellore district renowned for inspiring young recruits to join the Indian Army, watched the movie in theatres.

K R M public school from Perambur, Chennai and Velammal Nexus school from Mogappair East, Chennai screened ‘Amaran’ as an educational movie for their students and NCC Cadets.

Members of the film fraternity watched the movie and extended their wishes to the team. This included notable figures such as Rajinikanth, Sivakumar, Suriya, Prabhu, Jyothika, and Vikram Prabhu. The film was screened exclusively for the Tamil Nadu Film Directors Association. Celebrities like STR, Anirudh, Venkat Prabhu, Kalaippuli S. Thanu, K.E. Gnanavelraja of Studio Green, Archana Kalpathi, and Atlee took the time to share their congratulations on social media after watching the movie. RKFI was quick to capitalize on these timely opportunities to promote the film through their social media platforms.

Other notable marketing endeavours from the ‘Amaran’ team…

 RKFI has made significant promotional efforts for their movie, including having Sivakarthikeyan appear on an episode of Bigg Boss Tamil. Additionally, Sivakarthikeyan, Sai Pallavi, and Director Rajkumar Periyasamy shared the stage with Nagarjuna in a Bigg Boss Telugu episode. The team participated in promotional events across India, including Madurai, Trichy, Coimbatore, Cochin, and Hyderabad, as well as internationally in Dubai and Malaysia.

 One of the key advantages of these events is that the movie team focuses on sharing information directly related to what the film intends to showcase.

‘Amaran’ is a film that does not feature any peppy dance numbers but instead boasts soulful songs, which is one of its greatest strengths. The Telugu version of the song ‘Hey Minnale’, titled ‘Hey Rangule’ was released by the Telugu actor Nithin.

‘Ananda Vikatan,’ a leading Tamil weekly magazine, released a special issue titled ‘Amaran Special’ on November 6th. This issue helped spread awareness about the movie beyond the confines of social media.

 Digital billboards promoting ‘Amaran’ were installed at railway stations, bus stops, and airports in various Indian cities. Together, these ads garnered 1.7 billion views per day.

 A couple of days before the movie’s theatrical release, the ads below were rolled out in daily newspapers…

Gopi Prasanna’s posters were true to the movie’s offerings. Here’s a sample poster…

To add to the excitement, there was the trailer. Often, trailers set expectations that the movie fails to meet, but in the case of ‘Amaran,’ the film delivered on what the trailer promised. The trailer was released in five languages: Tamil, Telugu, Malayalam, Kannada, and Hindi. RKFI enlisted big names such as Kamal Haasan, Aamir Khan, Shiva Rajkumar, Nani, and Tovino Thomas to launch the versions of the trailers in their respective languages.

In conclusion, ‘Amaran’ from RKFI, Sony Pictures Films India, and Turmeric India (Marketing) serve as an exemplary case study for the positioning and marketing of biopics.

Look Back: A “Spooky” Twitter Bot to Promote ‘Ouija: Origin of Evil’

Look Back: A “Spooky” Twitter Bot to Promote ‘Ouija: Origin of Evil’

When I feel satisfied completing a movie or web series on OTT, I google to know its critical reception, box-office performance, and the whereabouts of its actors. Above all, I spend relatively more time looking up the marketing endeavor put behind the movie. A lot of those marketing strategies would be as interesting as the associated movie or web series. For quite some time, I’ve been wishing to blog about such initiatives in an organized manner (although I’ve blogged considerably and randomly on movie marketing). It is not just that I love to put them down, but also because they deserve to be raved about for the creativity invested to conceive, design, and execute them. So, here I am to fulfill my wish with the ‘Look Back’ series, wherein I’ll retell the interesting aspects I gather on the marketing of the movie or web series I watch.

Kicking off the series…

Recently, I watched the 2016 American supernatural horror film, ‘Ouija: Origin of Evil‘ on Netflix. I loved the movie. So, I dug up to know its marketing initiatives. As a result, I got to know a handful of promotional events done for the movie, but the one that interested me the most is the campaign titled, ‘Ouija Knows All Twitter Bot‘. Therefore, I begin the series with this article on the initiative.

About the movie, ‘Ouija: Origin of Evil‘…

A widow (Elizabeth Reaser as Alice Zander), with her daughters, carry out a phony séance business at her home. Upon bringing the Ouija board to the business, they make contact with an evil spirit existing there. Consequently, the entity possesses Alice’s 9-year-old daughter (Lulu Wilson as Doris Zander). The movie then focuses on the event’s after-effects.

About the campaign, ‘Ouija Knows All Twitter Bot‘…

The movie’s distributor, ‘Universal Pictures’ and the Digital Marketing agency, ‘Addison Interactive’ collaborated on the campaign, which invited fans to tweet random questions to the Twitter handle, ‘@OuijaKnowsAll’. The questions posted were like, “What is my name?” and “are ghosts real?“. The agency-curated customized bot facilitated the Twitter handle to reply with a GIF image, which showed a planchette sequentially moving over the letters on the Ouija board per their order in the answers. The alphabet under focus on each movement of the planchette displayed beneath the board. Within the confines of the GIF image, the alphabet got added in an incremental manner post each movement and ended with accurate answers to the questions.

Reply to a few other questions had Doris Zander replacing the Ouija board and planchette in the GIF. For instance, a question like “Will Rihanna win a Grammy for her 8th album ANTI?” had the image say “OF COURSE“.


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About the offline promotions…

Real-world giant projections, installed at the annual Halloween events, ‘Haunted Hayride’ and ‘Halloween Horror Nights’, entertained people waiting in the queue. In conclusion, the ultimate goal was to get everyone buzzing around the movie.

Outcome…

Influencers and celebrities jumped on the bandwagon of posting questions, resulting in the campaign’s reach getting amplified. As a result, the initiative garnered 355,000+ questions and 23,000,000 impressions on Twitter by then.

Per Deadline, the movie debuted at 3,167 theaters with cumulative gross earnings of $14M in its Week 1.

Recognition…

As an entrant to the Clio Awards program, the agency submitted the below video and photo to the medium, ‘Theatrical: Social Media’ within the entry type, ‘Theatrical’, and the category, ‘Single Platform Campaign’. Eventually, the campaign won Clio Gold.

https://www.youtube.com/watch?v=CEHe5UJuiQk

Source: Clios

Also Read:

Look Back: A “Natural” Billboard to Promote ‘Maaveeran’

‘Sri Thenandal Films’ pushes the envelope with Digital Marketing for ‘Mersal’

‘Sri Thenandal Films’ pushes the envelope with Digital Marketing for ‘Mersal’

'Mersal' Vijay
‘Sri Thenandal Films’ pushes the envelope with Digital Marketing for ‘Mersal’

It’s always been interesting to watch film production houses leveraging the digital space to offer a personalized experience to their target audience. With their 100th movie ‘Mersal’, in pipeline for a grand audio launch on 20th of August, Sri Thenandal Films aka TSL (makers of ‘Mersal’) have come up with a unique and interesting promotional strategy for the movie.

A chatbot to create personalized movie posters:

Along the lines of utilization of interactive chatbots for movies such as ‘Kaabil’, ‘M.S.Dhoni’, ‘Jolly LLB 2’, ‘Badrinath Ki Dulhaniya’, ‘Baahubali 2: The Conclusion’ and ‘Jab Harry Met Sejal’, TSL has introduced a chatbot for ‘Mersal’ using which their audience could create personalized Mersal posters. Sri Thenandal Films, in association with ICONICbot (a tech start-up cofounded by the Indian film actress cum producer, Vishaka Singh and ex-IBMer, Sandesh B Suvarna), has launched the chatbot that could be accessed by messaging in the official Facebook page of Sri Thenandal Films or on its messenger.

Target audience rejoicing the outcome of the strategy:

With Vijay – an iconic Indian actor who enjoys a huge fan base – on board for ‘Mersal’ and the movie being TSL’s 100th movie, what better circumstance than this could get TSL to implement the AI technology! As expected, the fans seem to love the outcome of this strategy a lot. In the social media accounts of TSL, the information regarding the chatbot was shared with the hashtag, ‘#MyMersalPoster’. Following suit, the fans have been sharing their customized Mersal posters under the same hashtag.


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Complementary factors of the strategy:

The chatbot’s launch date i.e. 15th of August sounds ideal as the corresponding day is a pan-India holiday. Also, the regional movie influencers have propagated the news, about the chatbot launch, to their respective followers.

Chatbots of ‘Baahubali 2: The Conclusion’ and ‘Jab Harry Met Sejal’ VS Chatbot of ‘Mersal’:

Unlike the predominant feature of the chatbot of ‘Baahubali 2: The Conclusion’ that offered the people an opportunity to take part in an interactive quiz and that of the one for ‘Jab Harry Met Sejal’ that offered the audience to indulge in an immersive chat experience, the chatbot of ‘Mersal’ has been restricted with the creation of Mersal posters as of now. We have to wait to know from the makers regarding the inclusion of new features to the ‘Mersal’ chatbot.

So, that’s it with the write-up on the Digital Marketing Strategy of Sri Thenandal Films for ‘Mersal’. Hope you liked reading the article! Let me know your opinion in the comments section!

 

Red Chillies Entertainment’s notable Digital Marketing efforts for Shah Rukh Khan-Anushkha Sharma’s ‘Jab Harry Met Sejal’

Red Chillies Entertainment’s notable Digital Marketing efforts for Shah Rukh Khan-Anushkha Sharma’s ‘Jab Harry Met Sejal’

Jab Harry Met Sejal - Shah Rukh Khan and Anushkha Sharma
Red Chillies Entertainment’s notable Digital Marketing efforts for Shah Rukh Khan-Anushkha Sharma’s ‘Jab Harry Met Sejal

As far as my knowledge goes, right after ‘Ra.One’, it has been the case with most movies of Shah Rukh Khan-Gauri Khan’s Red Chillies Entertainment, where their marketing efforts have been as notable as the themes of the movies. With Red Chillies Entertainment’s next, ‘Jab Harry Met Sejal’ being scheduled for a release on 4th August, 2017, I tried gathering information regarding the marketing strategies deployed for the movie. As a result, I have come up with this article that briefs about a couple of Digital Marketing strategies applied for the movie.

1. An interactive chatbot rendering an immersive experience:

Along the lines of utilizations of chatbots for movies such as ‘Kaabil’, ‘M.S.Dhoni’, ‘Jolly LLB 2’, ‘Badrinath Ki Dulhaniya’ and ‘Baahubali 2: The Conclusion‘, Red Chillies Entertainment have come up with an interactive chatbot to offer an immersive experience to their audience.

The chatbot has been designed in such a way that the people can get to interact with the character, Harry played by Shah Rukh Khan in the movie.

The features that this chatbot offers are more than just generic conversations. In its likeable interaction, the chatbot provides an intro about the characters, Harry and Sejal (Anushkha Sharma) from the movie and then offers us three engaging 37-second clips – which the makers call as ‘mini trails’ – from the film.

Also, using the chatbot, people can create customised posters, participate in a travel based personality quiz, watch songs from the movie and win exclusive merchandise.


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2. Very own Facebook camera effect for ‘Jab Harry Met Sejal’:

Jab Harry Met Sejal’ is one among the few films in Bollywood, to have their very own Facebook camera effect.

By accessing camera effects by swiping left on their Facebook profile, people could make use of the JHMS (Jab Harry Met Sejal) effect. Using this provision, people could click a picture or shoot a video and share the same in their story or Facebook profile in ‘Harry & Sejal’ style.

Those are the two Digital Marketing strategies that Red Chillies Entertainment has deployed for ‘Jab Harry Met Sejal’. Wish the marketing efforts of the Khan couple, to establish a ‘connect’ between their film and the digital audience, pays dividends with their movie’s result at box-office!

5 striking Digital Marketing strategies implemented by the makers of Baahubali 2

5 striking Digital Marketing strategies implemented by the makers of Baahubali 2

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5 Striking Digital Marketing strategies implemented by the makers of Baahubali 2

Similar to the amount of effort that has been put into the making of the two technically rich movies in the Baahubali franchise (Baahubali: The Beginning and Baahubali 2: The Conclusion), an equal amount of effort has been invested from the marketing arena as well to take the movies closer to the audience and sustain the ‘Baahubali’ sensation among them for all these years. In this digital era, when it comes to marketing, Digital Marketing becomes imperative and essential. So, here I have come up with 5 striking Digital Marketing strategies deployed by the makers of the Baahubali franchise, ‘Arka Media Works’ around the theatrical release of ‘Baahubali 2: The Conclusion’.

1. Launch of #ChatQuizChallenge on Facebook:

ChatBot 3
Launch of #ChatQuizChallenge on Facebook

After the release of the trailer of ‘Baahubali 2: The Conclusion’, the producer of the film launched on Facebook, an interactive quiz named ‘#ChatQuizChallenge’ driven by a Chatbot, that was accessible by messaging in the movie’s official Facebook page, Baahubali, or on messenger. The interactive quiz created by the Social and Digital Agency, ‘KRDS India’ had 5 trivial questions that were based on the trailer of Baahubali 2. People were provided with an option to take the quiz on the language of their preference with available languages being Tamil, English, Telugu, Malayalam and Hindi. As part of this strategy, people were also offered with an option, by the Chatbot, to subscribe to it to get to know the latest news or updates, pertaining to the movie, from the production crew.

2. Release of the Graphic novel, ‘Baahubali – The Battle of the Bold’ on Google Play Store:

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Release of the Graphic novel, ‘Baahubali – The Battle of the Bold’ on Google Play Store

Targetting the fans of Baahubali and comic book lovers, two months ahead of the theatrical release of ‘Baahubali 2: The Conclusion’, Arka Media Works had launched the Graphic novel, ‘Baahubali – The Battle of the Bold’ on ‘Graphic POP Asia’ app, which is available in Google Play Store. Post the installation of the app, the graphic novel can be downloaded from it. According to the novel’s author, ‘Graphic India’, ‘Baahubali – The Battle of the Bold’ depicts some untold events that had laid around the participation of Baahubali and Bhallaladeva in a tournament, which had happened well before the happenings that have been showcased in the film. Paperback version of the novel is also available for purchase in amazon.


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3. Launch of the animation series, ‘Baahubali: The Lost Legends’ on Amazon Prime Video India:

baahubali-animated-759
Launch of the animation series, ‘Baahubali: The Lost Legends’ on Amazon Prime Video India

Around mid-April, inspired by the Baahubali film franchise, Arka Media Works and the director of the Baahubali film series, S.S.Rajamouli in collaboration with Graphic India and Amazon had launched the first episode of the animation series, ‘Baahubali: The Lost Legends’ in Amazon Prime Video’s India service. The second episode of the animated series was released on 19th May 2017, with the other episodes to be made live in the upcoming weeks. ‘Baahubali: The Lost Legends’ seems to exhibit some fresh stories about the characters, which have already become popular among the audience, such as Baahubali, Bhallaladeva, Kattappa and Sivagami and portray few more new characters and their respective stories.

4. Optimization of the hashtag, #WKKB in social media posts and on film posters:

baahubali2-logo
Optimization of the hashtag, #WKKB in social media posts and on film posters

In India, when Twitter first brought in the plan of creating hashtags in regional languages, Rajamouli launched the first Telugu Hashtag, #బాహుబలివస్తున్నాడు (Baahubali Vasthunnadu’ meaning ‘Baahubali coming soon’) from his twitter handle for the promotion of ‘Baahubali: The Beginning’. Likewise, for ‘Baahubali 2: The Conclusion’ too, the hashtag, #WKKB (WKKB is the abbreviation of ‘Why Kattappa Killed Baahubali’) was creating quite a revolution in the social media space. It was utilized in film posters too.

5. Leveraging Virtual Reality and 360 degree videos:

Baahubali-2-Movie-Shoots-With-BB360cc-VR-Camera
Leveraging Virtual Reality and 360 degree videos

In October 2016, ‘Radeon Technologies Group’, a part of US-based chip maker AMD (Advanced Micro Devices, Inc.) released the Virtual Reality (VR) video titled, ‘On The Sets of Baahubali’. It guided the viewers through a virtual tour on the sets of Baahubali.  As a follow-up to this activity of leveraging the technological advancements, for marketing purposes, Arka Media Works by teaming with Radeon live streamed in 360° the Baahubali Pre-Release Event (which was held on March 26th 2017 in Hyderabad) on the movie’s official YouTube channel. VR boxes were suggested to viewers to have a Virtual Reality experience of the event.

To top it all, the collaboration of Arka Media Works, Rajamouli and AMD Radeon Technologies Group came up with the teaser of the 10-min VR film, ‘The Sword Of Baahubali’, that is based on the characters from Baahubali. The teaser was shown to people in various malls, theatres and multiplexes across the states of Andhra and Telangana.

So, here ends my documentation on the 5 striking Digital Marketing strategies implemented by Arka Media Works for the Baahubali franchise but not the only strategies that have been implemented. There may be even more striking ones.

Feel free to let me know your comments on the article!